Beck’s Acoustic “Modern Guilt” – Walls
Submitted by Gabriel Nylund on August 18, 2009 – 10:00 PMNo Comment
Home » Music
It is odd for me to think that a blog that started as reviewing music with a couple friends, has actually become something with a little web presence, and actual readers. And yet, here I … 
Ray Enright and Busby Berkeley’s Dames is a film that reverses the core values of theorist Richard Dyer’s “representational” and “non-representational” elements in the traditional backstage musical (20). Familiar archetypes in this style of musical, … 
When The Binary Code‘s self-released, debut record made its way to Hearwax Media last year to be reviewed, it was praised for its keen sense of selectiveness, and criticized for its unwillingness to take risks. … 
In 1994, rapper Common released a song entitled “I Used to Love H.E.R.” (H.E.R. meaning Hearing Every Rhyme), in which he blamed the degradation of hip hop on west coast gangsta rap, and compared it … 
Starkweather are of a diametrical nature. The band has stood on its own for over twenty years, a flagship of the methods in which disparate genres of music can be incorporated creatively into a cohesive … 
The first time I saw Japandroids was during the summer of 2009. A hot sweaty night found me impatiently waiting for the Vancouver duo at the El Mocambo, a Toronto staple for independent music. Hot … 
If you haven’t listened to Hacksaw to the Throat before, you might expect them to be a down tuned Myspace Deathcore band, who vehemently refer to themselves as Grindcore. Fortunately, you’d be very far from …
This website uses IntenseDebate comments, but they are not currently loaded because either your browser doesn't support JavaScript, or they didn't load fast enough.
Additional comments powered by BackType